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Frankenstein, by Mary Shelley
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Approved by the Holden-Crowther Literary Organisation.
Few creatures of horror have seized readers' imaginations and held them for so long as the anguished monster of Mary Shelley's Frankenstein. The story of Victor Frankenstein's terrible creation and the havoc it caused has enthralled generations of readers and inspired countless writers of horror and suspense. Considering the novel's enduring success, it is remarkable that it began merely as a whim of Lord Byron's.
"We will each write a story," Byron announced to his next-door neighbors, Mary Wollstonecraft Godwin and her lover Percy Bysshe Shelley. The friends were summering on the shores of Lake Geneva in Switzerland in 1816, Shelley still unknown as a poet and Byron writing the third canto of Childe Harold. When continued rains kept them confined indoors, all agreed to Byron's proposal.
The illustrious poets failed to complete their ghost stories, but Mary Shelley rose supremely to the challenge. With Frankenstein, she succeeded admirably in the task she set for herself: to create a story that, in her own words, "would speak to the mysterious fears of our nature and awaken thrilling horror -- one to make the reader dread to look round, to curdle the blood, and quicken the beatings of the heart."
- Sales Rank: #408 in Books
- Brand: Dover Publications
- Published on: 1994
- Released on: 1994-10-21
- Original language: English
- Number of items: 1
- Dimensions: 8.25" h x 5.25" w x .50" l, .30 pounds
- Binding: Paperback
- 166 pages
Features
Amazon.com Review
Frankenstein, loved by many decades of readers and praised by such eminent literary critics as Harold Bloom, seems hardly to need a recommendation. If you haven't read it recently, though, you may not remember the sweeping force of the prose, the grotesque, surreal imagery, and the multilayered doppelgänger themes of Mary Shelley's masterpiece. As fantasy writer Jane Yolen writes of this (the reviewer's favorite) edition, "The strong black and whites of the main text [illustrations] are dark and brooding, with unremitting shadows and stark contrasts. But the central conversation with the monster--who owes nothing to the overused movie image … but is rather the novel's charnel-house composite--is where [Barry] Moser's illustrations show their greatest power ... The viewer can all but smell the powerful stench of the monster's breath as its words spill out across the page. Strong book-making for one of the world's strongest and most remarkable books." Includes an illuminating afterword by Joyce Carol Oates.
From School Library Journal
Grade 7 Up- The name Frankenstein conjures a host of screen and cartoon images. This radio theatre presentation of Mary Shelley's horror story done by the St. Charles Players uses language compatible with the original text. The script is coupled with appropriate sound effects including some bloodcurdling screams. The combination should encourage student listeners to learn about Dr. Victor Frankenstein and his monstrous creation. There are contemporary issues in this classic novel's themes such as the moral implications of scientific discovery and how one person's zeal for success can affect others. Although the emotional portrayal of multiple deaths is sometimes melodramatic and the wooden speech of the monster is appropriately pathetic, overall the company moves briskly and skillfully through the story. This recording is best suited for use as a classroom aid in introducing or reviewing the book. Also, it might prove valuable to students preparing a radio theatre adaptation. The thin cardboard jacket is not sturdy enough for frequent circulation and cover art is minimal. Cassettes are clearly marked, and each side is announced. This presentation of Frankenstein is a useful but not essential purchase for school libraries.
Barbara Wysocki, Cora J. Belden Library, Rocky Hill, CT
Copyright 1999 Reed Business Information, Inc.
From Booklist
Gr. 8^-12. Part of the Whole Story series, this is the full text of Mary Shelley's classic gothic story, which was first published in 1818 and has been a wild success ever since. Philippe Munch's illustrations have none of the power of Barry Moser's unforgettable woodcuts that evoke the loneliness of the grotesque outsider (in the Pennyroyal edition published by the University of California Press in 1984). The design here is crowded, and the type is small. However, the many period prints and maps in color and in black and white, with long, detailed captions, do provide the historical setting for the story, its geography, customs, and ideas. Teens enthralled by pop versions of the myth as well as science fiction fans will be interested in going back to the full version of what has been called the first science fiction novel and learning about the circumstances under which it was written by a woman, just 18 years old, 170 years ago. Hazel Rochman
Most helpful customer reviews
10 of 10 people found the following review helpful.
This is NOT the 1818 edition!!!
By Sarah Nichols
This book claims to be the 1818 original text, but it is NOT. THIS IS THE 1831 EDITION! I specifically needed the 1818 edition for my literature class, and the 1831 edition is substantially different. The overall theme/tone is different (the original emphasizes free will, while the later edition emphasizes the role of fate). There are many other small changes- in the 1831 edition Ernest becomes a soldier, while in the original he is a farmer; in the 1831 edition Elizabeth is an orphan adopted by Victor's family, while in the original she is his blood cousin; in the 1831 edition (unlike the original), Henry Clerval has to defy his father in order to go to college. I became suspicious that I had the wrong edition during class, and then looked up these differences and confirmed that THIS BOOK IS THE 1831 EDITION! If you need a particular edition for a class, be warned that this book is falsely advertised.
94 of 104 people found the following review helpful.
Kindle edition is the 1831 edition, not 1818
By MsE0
I got the free Kindle edition from the link on the page for the Norton Critical Edition of the 1818 text. Mary Shelley made many significant edits to the book for the 1831 edition. I assumed it was the same edition because the link was from the same page. I didn't realize it was different until I went to write my assigned essay and went online to search for page numbers for the passages I wanted to quote. Many of the quotes I wanted to use don't even appear in the original version. This is a very important distinction, and I wish it had been labeled correctly so I would not have had to waste so much time looking for online versions of the correct text in order to replace the quotes I could not use from the later version. This edition is fine if you just want to read the book, but if you're reading it for school, you have more than likely been assigned the 1818 version, which is very different. The Kindle edition is also lacking in any kind of Kindle formatting, making it a hassle to find locations in the book.
0 of 0 people found the following review helpful.
Great classic horror.
By Amazon Customer
I have always wanted to read this book trying to get the horror classics, already read The Strange Case of Dr Jekyll and Mr Hyde, and decided to read this one next. The only downfall that I have to say and this does not go against the author at all, but it was a little hard to read with the way it was written. Took me a few chapters to get used to the way it was written, after that I took off with reading it. On saying that this story is so good. Wish I would have read it a while ago. If you are used to the old classic film version this is nothing like that. This is so good what I loved is you get to hear the version of Frankenstein, and then you get the Monster's version. So well written became instantly a new favorite of mine. There are a lot of scenes where it is just so sad and you feel sorry for both of them. It contains the horror and mostly full of sadness. Highly recommend this book. If you have ever thought of reading it......DO IT. I also love the way this book is made to from the cover to the gold on the pages. Just loved this book all the way around.
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