Minggu, 30 Juni 2013

[L595.Ebook] PDF Ebook The 'Hippocratic' Corpus: Content and Context, by Elizabeth M. Craik

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The 'Hippocratic' Corpus: Content and Context, by Elizabeth M. Craik

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The 'Hippocratic' Corpus: Content and Context, by Elizabeth M. Craik

The Hippocratic Corpus comprises some sixty medical works of varying length, style and content. Collectively, this is the largest surviving body of early Greek prose. As such, it is an invaluable resource for scholars and students not only of ancient medicine but also of Greek life in general.

Hippocrates lived in the age of Socrates and most of the treatises seem to originate in the classical period. There is, however, no consensus on Hippocratic attribution. The ‘Hippocratic’ Corpus examines the works individually under the broad headings:

  • content - each work is summarised for the reader
  • comment - the substance and style of each work is discussed
  • context is provided not just in relation to the corpus as a whole but also to the work’s wider relevance.

Whereas the scholar or student approaching, say, Euripides or Herodotus has a wealth of books available to provide introduction and orientation, no such study has existed for the Hippocratic Corpus. As The ‘Hippocratic’ Corpus has a substantial introduction, and as each work is summarised for the reader, it facilitates use and exploration of an important body of evidence by all interested in Greek medicine and society.

Elizabeth Craik is Honorary Professor at University of St Andrews and Visiting Professor at University of Newcastle, UK.

  • Sales Rank: #4529315 in Books
  • Published on: 2014-12-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.21" h x .81" w x 6.14" l, 1.50 pounds
  • Binding: Hardcover
  • 344 pages

Review
"Craik’s glossary is praiseworthy for the way that it connects Greek terms consistently with English equivalents, when such translation contributes to clarity of concept. The ‘Hippocratic’ Corpus: Content and Context is a much-needed text, and Craik achieves her goal of providing simultaneously a general introduction and a reference work. This concise and comprehensive book is a useful tool both for those interested in learning more about the ‘Hippocratic’ Corpus and its component parts, and for scholars investigating research questions." - by Katherine D. van Schaik, Harvard University, BMCR

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By Tiburga
This is an excellent, valuable book for professionals in medical history.

See all 1 customer reviews...

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Jumat, 28 Juni 2013

[Z854.Ebook] Fee Download The New Cider Maker's Handbook: A Comprehensive Guide for Craft Producers, by Claude Jolicoeur

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The New Cider Maker's Handbook: A Comprehensive Guide for Craft Producers, by Claude Jolicoeur

All around the world, the public’s taste for fermented cider has been growing more rapidly than at any time in the past 150 years. And with the growing interest in locally grown and artisanal foods, many new cideries are springing up all over North America, often started up by passionate amateurs who want to take their cider to the next level as small-scale craft producers.

To make the very best cider―whether for yourself, your family, and friends or for market―you first need a deep understanding of the processes involved, and the art and science behind them. Fortunately, The New Cider Maker’s Handbook is here to help. Author Claude Jolicoeur is an internationally known, award-winning cider maker with an inquiring, scientific mind. His book combines the best of traditional knowledge and techniques with up-to-date, scientifically based practices to provide today’s cider makers with all the tools they need to produce high-quality ciders.

The New Cider Maker’s Handbook is divided into five parts containing:

  • An accessible overview of the cider making process for beginners;
  • Recommendations for selecting and growing cider-appropriate apples;
  • Information on juice-extraction equipment and directions on how to build your own grater mill and cider press;
  • A discussion of the most important components of apple juice and how these may influence the quality of the cider;
  • An examination of the fermentation process and a description of methods used to produce either dry or naturally sweet cider, still or sparkling cider, and even ice cider.

This book will appeal to both serious amateurs and professional cider makers who want to increase their knowledge, as well as to orchardists who want to grow cider apples for local or regional producers. Novices will appreciate the overview of the cider-making process, and, as they develop skills and confidence, the more in-depth technical information will serve as an invaluable reference that will be consulted again and again. This book is sure to become the definitive modern work on cider making.

A mechanical engineer by profession, Claude Jolicoeur first developed his passion for apples and cider after acquiring a piece of land on which there were four rows of old abandoned apple trees. He started making cider in 1988 using a “no-compromise” approach, stubbornly searching for the highest possible quality. Since then, his ciders have earned many awards and medals at competitions, including a Best of Show at the prestigious Great Lakes International Cider and Perry Competition (GLINTCAP).

Claude actively participates in discussions on forums like the Cider Digest, and is regularly invited as a guest speaker to events such as the annual Cider Days festival in western Massachusetts. He lives in Quebec City.

  • Sales Rank: #24465 in Books
  • Published on: 2013-10-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.50" h x 8.50" w x 1.00" l, .0 pounds
  • Binding: Hardcover
  • 352 pages

From Booklist
Jolicoeur is a mechanical engineer who delights in the details of cider-making, from calculations and formulas to spreadsheets. Based in Quebec, he “discovered” cider in 1988 after finding rows of abandoned apple trees on newly acquired land. His vocation and avocation combine to bring readers a step-by-step guide with a number of color photographs. It starts simply enough, with an overview of the process, apple growing and selection, and seven principles for producing the best, from “good cider needs great apples” to “remember what you did.” After a careful review of dozens of regional apple varieties (and a few pears, to make the cider equivalent called perry), complete with notes on sugar, acidity, tannin, juice yield, harvest date, and pressing season, he dives into the more difficult processes, including juice extraction, fermentation, and troubleshooting. Some good chemistry basics help, as do an “I can build it” mentality and competency. --Barbara Jacobs

Review

 “Over the years Claude has been inspiring--and challenging―his friends and acquaintances, including me, to make better cider. He approaches cider making and life with an analytical mind, a keen intellect and a wry sense of humor. That all comes through in The New Cider Maker’s Handbook. Designed for experienced  cider makers as well as for serious beginners, it’s a gold mine for everyone who’d like to make good cider. It’s packed with excellent, detailed explanations and information. It is well organized and clearly written. What an excellent contribution to the cider library.”--John Bunker, apple historian and author of Not Far from the Tree

 



“Claude Jolicoeur is a true student of the art and science of cider.From clear, concise discussions of the technical aspects of cider making, to the selection of proper cider apples, this is a treatise for all time.The text is straightforward, and can be an excellent guide to novice cider makers, but it is endowed with a wealth of information that will benefit ciderists at all levels of the craft. I only wish this book had been available when I first began making cider.”--Chuck Shelton, ciderist, Albemarle CiderWorks, North Garden, VA



“Have you ever tasted a true farmhouse cider, full-bodied and richly flavored, or finished a meal with a sweet ice cider? Then you know the astonishing range of this once nearly forgotten drink. Whether you’re a hobbyist interested in learning about fruit selection, or a commercial producer looking for better quality and consistency, this is your book. Claude Jolicoeur informs every page of his hands-on, comprehensive guide with 25 years of research and experience. For anyone who aspires to make the finest quality fermented cider, The New Cider Maker’s Handbook is as indispensable as an apple press.”--David Buchanan, author of Taste, Memory



“We wish we’d had this book when we were starting out. Cider making is an art, of course, but it’s also very much a science, and Claude shows he is among the leading experts in both aspects. The New Cider Maker’s Handbook is a practical, approachable, well-organized, extensively researched guide to cider making, from apple selection to pressing to fermentation and beyond. As experienced cider makers, we find it essential, but it’s excellent for beginners as well. As craft cider grows in popularity and stature throughout the U.S. and Canada, we expect Claude’s book to become North America’s preeminent cider reference.”--Scott Heath and Ellen Cavalli, co-owners, Tilted Shed Ciderworks, Sonoma County, CA



"Based on Claude Jolicoeur’s 25 years experience in craft cider making, The New Cider Maker’s Handbook combines the author’s personal perspectives with solidly researched information from cider makers worldwide, to create a manual which is both practical and inspirational.  Some of the detail, for instance on press design, alcohol measurement, and naturally sweet and ice ciders is simply unavailable elsewhere.  The focus on North American apple varieties and conditions will be welcomed by many, but this book is invaluable to hobbyists and small commercial cider makers no matter where they live.  A worthy addition to the modern cider literature."--Andrew Lea, food scientist and author of Craft Cider Making

 

 



“J.M. Trowbridge wrote the first Cider Makers’ Hand Book in 1890. This modern take on the apple fermenter’s art picks up the trail anew. Claude Jolicoeur makes exceptional cider doable for even a guy like me. Balancing the acids and sugars of righteous juice lies at the heart of the method. Pour your friends the ‘nectar of the gods’ from here on in when next you pop a cork.”--Michael Phillips, author of The Apple Grower and The Holistic Orchard



“Claude Jolicoeur’s New Cider Maker’s Handbook is an invaluable resource for the serious home cider maker. However, serious professionals will also find a lot of great reference material, especially the sections devoted to apple varieties.”--Mike Beck, president, U.S. Association of Cider Makers

 



“This is the book so many craft cider makers have been waiting for: at once comprehensive, detailed, and authoritative. Planting an orchard? There are guidelines and suggestions. Need a mill or a press? There are plans and instructions. Trying to grasp the process, or to know how to measure? It's there--sugar, acidity, pH, tannin, balance. Troubleshooting a problem? All the common shortcomings are covered. It really is ‘orchard to bottle,’ with both guidance and technical background all along the way.”--Dick Dunn, president, Rocky Mountain Cider Association



Library Journal-

"Award-winning cider maker Jolicoeur provides a comprehensive guide to cider making, covering the selection of apple varieties, chemical formulas and charts, and the construction of mills and presses. Though Jolicoeur claims that his work is appropriate for the amateur cider maker, his perspective as a mechanical engineer results in a book that is far too technical, dense, and text heavy for a novice. However, its accuracy and tone will be of value for serious hobbyists and small-scale professional cider makers."



Booklist- "Jolicoeur is a mechanical engineer who delights in the details of cider-making, from calculations and formulas to spreadsheets. Based in Quebec, he 'discovered' cider in 1988 after finding rows of abandoned apple trees on newly acquired land. His vocation and avocation combine to bring readers a step-by-step guide with a number of color photographs. It starts simply enough, with an overview of the process, apple growing and selection, and seven principles for producing the best, from 'good cider needs great apples” to “remember what you did.' After a careful review of dozens of regional apple varieties (and a few pears, to make the cider equivalent called perry), complete with notes on sugar, acidity, tannin, juice yield, harvest date, and pressing season, he dives into the more difficult processes, including juice extraction, fermentation, and troubleshooting. Some good chemistry basics help, as do an 'I can build it' mentality and competency."

About the Author

A mechanical engineer by profession, Claude Jolicoeur first developed his passion for apples and cider after acquiring a piece of land on which there were four rows of old abandoned apple trees. He started making cider in 1988 using a “no-compromise” approach, stubbornly searching for the highest possible quality. Since then, his ciders have earned many awards and medals at competitions, including the prestigious Great Lakes Cider and Perry Competition (GLINT).

Claude actively participates in discussions on forums like the Cider Digest, and is regularly invited as a guest speaker to festivals and events such as Cider Days in Massachusetts and the Common Ground Country Fair in Maine. He lives in Quebec City.

Most helpful customer reviews

26 of 26 people found the following review helpful.
The Missing Link!
By D. E. MCIVOR
I have read a lot of books in search of guidance on successful cider making. And I have made a few batches of passable cider, always felt they could be better, but didn't know how to improve my crafting. There are a lot of books out there worth reading, but none have put all the pieces together, until now. Jolicoeur's book is the one I have searched for all these years!

The author thoroughly details the steps to making great cider--everything from selecting the right apples, handling the apples properly, to the qualities to look for in a grinder and press. There is a wealth of information here--far more than you'll need for your first batch, but plenty to reward you for re-reading, and for improving each batch of cider you make. The author's research has clearly been exhaustive and there is a lot of personal experience underpinning the advice. There is also a lot of technical information in this book, mostly in the form of fermentation chemistry, but the book is organized in such a fashion that it is easy to breeze through the chemistry and focus on the practicalities of making cider (that said, the chemistry is important and something every eager maker should work through at least once).

The author's writing style is quite approachable and conversational in tone.

I am really grateful for this book! It arrived as I began gathering apples for this year's pressing. On my first glance through the book the author saved me from making three mistakes that would have compromised the quality of my cider. This encouraged me to slow down and get through the book before committing any more mistakes, and now I'm confident that this year's cider will be my best ever.

One final note. The author developed a series of spreadsheets for managing cider production--from calibrating your hydrometer to calculating blends and tracking fermentation progress. These sheets and their use are discussed in the book, and available for download from the publisher. The spreadsheets alone are worth the price of the book!

11 of 11 people found the following review helpful.
Claude is the man
By Pierre a' Fusil
I was well aware of Mssr. Jolicoeur's website before he delved into writing this most excellent volume. In an area of study where most of the scientific material is difficult to access, or long out-of-print, this hefty volume brings a rare fusion of science and common sense to the Cider afficionado. For someone who merely wants to dabble in converting their local farmer's market sweet cider into something more potent, this textbook-like tome may be intimidating. That said, it neither reads like a textbook, nor does it present a difficult scientific explanation for the aspects of the cider craft. Mssr. Jolicoeur is, if anything, a very down-to-earth cider maker and cider apple orchardist. His fluid and engaging style reflects that, while his suggestions for growing, equipment and production all reflect a "best practices, without excess" approach. However the book also contains a wealth of information on specific areas that have been a deep personal interest to Mssr. Jolicoeur. To wit, there is an extensive section on making your own grinding and pressing equipment that is unsurpassed by anything online or in print - anywhere. Overall this is the best guide out there for the dedicated hobbyist and small producer.

The only proviso I would attach to my otherwise complete enthusiasm for this publication is that it has a certain regional focus. As an example, for those who might be looking for advice on what apple varieties to grow in the deep south there is little contained here. Mssr. Jolicoeur is clearly an expert in his climate area, a part of Quebec that corresponds to USDA (climate/growing region) Zone 4. He has also incorporated cultural information from colleagues in the Northeastern U.S., but none any further south than USDA zone 6. So the information on apple varieties, diseases and yields observed may be of little use to growers below the northern tier (such as myself in USDA Zone 8). Regardless, this information comprises a minority of the text and most of the well presented material is useful to everyone. With Claude Jolicoeur's book.....vous avez de la chance !

11 of 11 people found the following review helpful.
Best Cider Book I Have Seen
By MRW
I have purchased several books on making hard cider, and this is the best one I have seen. There is lots of in depth information for those interested in all the technical details. At the same time, there are clear simple to follow directions for the first time hard cider maker. I think that this is a good book for all levels of brewers.

See all 61 customer reviews...

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Selasa, 25 Juni 2013

[I633.Ebook] PDF Download Murderville 3: The Black Dahlia, by Ashley & JaQuavis

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  • Sales Rank: #1123001 in Books
  • Published on: 2014-07-22
  • Released on: 2014-07-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.75" h x .80" w x 4.13" l, .0 pounds
  • Binding: Mass Market Paperback
  • 272 pages

Review
''Their work has been regarded as some of the premiere titles that have led the way for this growing phenomenon of gritty tales.'' --Urban Book Source, praise for the authors

About the Author
These two New York Times best-selling authors hit the scene at the ripe age of 17 when they were discovered by Carl Weber. Born and raised in the most notorious neighborhoods in Flint, Michigan it was only natural for the pair to write about the street life they knew all too well. During their freshmen year in college they both received national publishing deals and have not looked back since. With smash hit novels “The Cartel 1 and 2” which debuted on the New York time best sellers list, they have solidified themselves as two of the best in their genre, together or apart. With a roster of sixteen published novels and a hefty ghostwriting resume, they have made successful careers for themselves.

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6 of 6 people found the following review helpful.
Not a good Finale
By El Fuerte
The series itself drifted off and was way to predictable.... I don't lke how they had Liberty switching sides so easliy. and I dont llike how Dahlia met her demise so suddenly after her build up from the last book. I do like how they brought the Cartel, Dopfiend and Supreme Clientele series together thought! but this book was a dud for a finale

0 of 0 people found the following review helpful.
Good Read
By Ty_Sweetness78
I just finished reading Murderville 3. I have to say I enjoyed it more than part 2 but it wasn't as good as part 1. I'm glad Ashley and Jaquavis didn't drag the series out for another installment (they're good for doing that). Po was a weak man and could never compare with Asha'i. I didn't like the fact that everyone was easily tricked by Dahlia, I mean was she really all that. There was an inconsistency with them saying at the beginning of the book Liberty didn't need to steal from Po because she had plenty of money. Then when they all got back to Detroit saying that duffle bag of money wouldn't last and Liberty thought she might need to get a job or go back to school. I liked the ending and I'm glad it shows that good does triumph over evil, Liberty won and got the happiness she deserved.

0 of 0 people found the following review helpful.
It Was Cool
By Misha
First off...Dahlia is a beast...ruthless, reckless and raunchy! But I didnt like the fact that suddenly folks back from Africa sided with her soo fast...but in the end Dahlia met up with another ruthless and reckless female...her name is Karma! The whole Liberty and Po thing was a mess and she basically got with ole boy on the rebound...they never even thought to cross paths like that until they was put in that situation with the African people but I must say...it was a beautiful ending for Liberty! But I'm most excited about is The Illuminati...I love how A&J tie characters from their different books together!

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Rabu, 19 Juni 2013

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Electronic Circuits - Fundamentals & Applications: Fundamentals and Applications

  • Published on: 1800
  • Binding: Paperback

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Selasa, 18 Juni 2013

[U985.Ebook] Download Wayne White: Maybe Now I'll Get The Respect I So Richly DeserveWayne White

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Design guru and art collector Todd Oldham shines the spotlight on the clever and warped world of artist Wayne White. From Wayne's early days as a production designer and puppet maker for the iconic TV show "Pee-Wee's Playhouse" to his unmistakable and exquisitely rendered text paintings, this monograph is a comprehensive view of Wayne White's oeuvre.

Wayne is a unique wordsmith, brilliantly juxtaposing irreverent and humorous phrases over existing thrift store paintings that together create a completely original and fictional landscape. Influenced by both his upbringing in rural Tennessee and a very sophisticated knowledge of art history. Wayne White's sensibility is completely singular and distinctive.

Wayne White's warped and perspectival words integrate into seemingly benign pastoral landscapes, creating a completely surreal experience. Wayne's expert painting chops and detailed attention to lighting and reflection place the "new" text directly in its "original" setting. Text paintings such as "Donald Judd was a Son of a Bitch Wrecked His Train in a Whorehouse Ditch," "Poon," and "Maybe Now I'll Get The Respect I So Richly Deserve" are a welcome departure from the more-often-than-not self-aggrandizing art world.

  • Sales Rank: #80739 in Books
  • Published on: 2016-09-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.20" h x 1.30" w x 8.20" l, .0 pounds
  • Binding: Hardcover
  • 384 pages

Review

"Residing now in Los Angeles, the Chattanooga-born painter has amassed a wild body of work, from set and puppet designs for 'The Pee-Wee Herman Show' to production design for Peter Gabriel's 'Big Time' video, to the mesmerizing phrase-in-landscapes, and to more abstract works. Nearly all of it has been packed into this heavy, satisfying, exhausting book, which, by all accounts, is being very well received (by both art and book lovers)." —Oxford American

 

About the Author
Artist Wayne White grew up in Tennessee and his nostalgia for his youth and Southern heritage is addressed in the rustic landscapes that he fills with monumental sized text.

Most helpful customer reviews

0 of 0 people found the following review helpful.
American Treasure
By S. Davis
Great book about a wonderful living legend Wayne White. The guy is approachable, kind, funny, articulate and dedicated to making art that anyone can appreciate. It's really funny when art snobs try to pigeonhole Wayne...the critics almost always come around after they take their nose out of the air and look at the body of his work. An American Treasure.

2 of 2 people found the following review helpful.
Brilliant, hilarious
By M. Ricci
Wayne White's work is amazing in its ability to make you think while making you laugh, and sometimes making you cringe in discomfort of the shared feeling. He's a master of sublime wit. I wish I could line every all of my home with his work and walk the world through to appreciate his brilliance. Alas, the book will have to suffice.

0 of 0 people found the following review helpful.
excellent
By Matthew L. Manco
surpassed all expectations. A+

made an amazing and inspiring gift. Mr White's story and work are moving. He's a bad ass too so that makes the ride that much better

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Sabtu, 15 Juni 2013

[O647.Ebook] Download PDF Boogie Woogie Piano Styles - No. 1 - The History, Development and Art of Playing the Boogie Woogie Style, by Sharon Pease

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Boogie Woogie Piano Styles - No. 1 - The History, Development and Art of Playing the Boogie Woogie Style, by Sharon Pease

Shows you how to use Boogie Woogie Bass Figures, Boogie Woogie Treble Variations and Walking Bass. Authentic examples as recorded by famous artists of Boogie Woogie.

  • Sales Rank: #4435885 in Books
  • Published on: 1940
  • Binding: Sheet music
  • 48 pages

Most helpful customer reviews

3 of 3 people found the following review helpful.
It's not just sheet music, but a 48 page course in Boogie Woogie piano
By Frank Beeckman
The author, Sharon A. Pease (1903-1959) attended the American College of music in Chicago and began teaching there in 1934. He composed music and wrote a monthly column for "Downbeat Magazine", discussing the biography and piano style of famous pianists that he interviewed. He also wrote a monthly column in jamboree magazine showing how to play chords. He opened his own Studio of Modern Piano in 1939. In Phoenix, he opened Keynote Music Distributors, selling phonograph records with major labels. He sometimes used the pseudonym Yardley Yates because he didn't want his students to know that he wrote "party songs" Several of his songs were recorded. He also wrote the instruction books: "Boogie-Woogie Fundamentals" (1940), "Boogie-Woogie Piano Styles No. 1" (1940) ("The history, development and art of playing the boogie woogie style") and "Boogie-Woogie Piano Styles No. 2" (1943),"88 Keys to Fame," "Styles of Famous 88'ers," "Sharon Pease Easy Block Chords", and "Sharon Pease 3 in 1 Piano Folio."

Boogie-Woogie Piano Styles No. 1 has 48 pages. It was used at Columbia University in New York to teach their students the Boogie Woogie. This book starts with a brief history about the Boogie Woogie. It then describes the styles of Meade Lux Lewis, Albert Ammons, Pete johnson and Mary Lou Williams. It continues with the basic forms of the Boogie. It gives you 25 Boogie styles in the key of C. It ends with the walking bass, and it's application to a twelve measure theme from the composition "Flinging A Whing-Ding" in the key of G. There are no fingerings.

Verdict:
Sharon Pease became an authority on Boogie Woogie. I have rated tons of Boogie Woogie books. This book is one of the better ones, but it's not for the absolute beginner.

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Written in Robinson's trademark accessible style, the new How to Taste features thoroughly updated vintages and producers as well as up-and-coming wine regions and styles. Incorporating wines that are both easily obtainable and reasonably priced, Robinson's lessons are separated into complementary portions of theory and practice to help you both learn and taste your way to wine expertise.

One of the world's best-loved authorities on wine, Robinson explains first how to get the most out of the flavor of your wine and food, and then about specific grapes and the wines themselves. By the time you finish the book, you will have learned how to recognize the most popular grape varieties from Chardonnay and Riesling to Pinot Noir and Cabernet Sauvignon, and why a good sparkling wine is always better than cheap champagne. You will discover how to judge sweetness, acidity, and fruitiness as well as the difference between the length and the weight of a wine. You will also be given practical advice for dealing with wine in the real world: how to choose from a wine list, organize your own wine tastings, and pair wines with specific foods.

From the armchair to the wine shop and back to the table, How to Taste will transform anyone on any level into a confident connoisseur who can leave faltering sips behind and have fun along the way.

  • Sales Rank: #240695 in Books
  • Brand: Robinson, Jancis/ Baldwin, Jan (PHT)
  • Published on: 2008-11-25
  • Released on: 2008-11-25
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .80" w x 6.50" l, 1.55 pounds
  • Binding: Hardcover
  • 208 pages

Amazon.com Review
Whether Montessori or Merlot, kindergarten or Cabernet, the importance of a good instructor during the formative years is crucial. That's why newcomers to the world of wine could do a lot worse than having a corkscrew in one hand and a copy of Jancis Robinson's How to Taste in the other. A revision of 1983's Masterglass and published in the U.K. under the superior title Jancis Robinson's Wine-Tasting Workbook, How to Taste is a primer by a certified Master of Wine and star of the PBS series Jancis Robinson's Wine Course. From acidity to Australian Shiraz, oak to Oregon Pinot, Robinson delivers chapters of information and theory, intermingled with shaded "Practice" exercises, presented in a style as off-dry as one of the author's beloved Rieslings (the tannin in a lesser vintage Barolo is "like sucking on a matchstick"). Sometimes tuition at Jancis U. runs high: the lesson on sugar/acid balance culminates with expensive Sauterne "Practice." And even if Robinson risks, by dropping words like "charred" and "umami" early in the book, sending novices back to tear open a fresh box of Franzia, vinous virgins are encouraged to stick with it. By the time they get to the glossary at book's end, they'll be identifying wines at blind tastings with professional accuracy--which, Robinson encouragingly reveals, and she ought to know, is about 50 percent. --Tony Mason

Review
"Perhaps the most talented of the world's wine writers...[with a] seemingly infinite ability to fashion informative, accurate books that are essential reading." -- Robert M. Parker, Jr.

"The woman who makes the wine world gulp when she speaks...as unpretentious as Beaujolais Nouveau." -- Jerry Shriver, USA Today

"I have watched her slowly tighten her grip on the wine world with awe...Don't be fooled by her twinkling television persona; her serious purpose is to open the wine world to all comers, at all levels. In the process she has become a household name -- for good." -- Hugh Johnson

"The Julia Child of wine." -- Peter M. Gianotti, Newsday

"She is simply the best wine writer working today. No one else comes close to Robinson's combination of tasting acuity, prolific and authoritative writing, and wit." -- Stephen Tanzer, International Wine Cellar

"A thorough, no-nonsense approach to unlocking some of the mysteries of appreciating and enjoying wine." -- Frank Prial, The New York Times

"For those who want to learn how to taste wine, the Robinson approach is hard to beat!" -- Gerald D. Boyd, San Francisco Chronicle

"By a long measure the best wine writer in the world." -- Paul Levy, The Wall Street Journal

About the Author
Jancis Robinson is one of the world's best-loved authorities on wine. A Master of Wine, a respected wine judge and lecturer, Robinson has also written and presented the award-winning BBC television series Jancis Robinson's Wine Course and She has been a regular columnist for Wine Spectator and is now the wine correspondent for the Financial Times. Author of several definitive books on wine as well as the autobiographical Confessions of a Wine Lover, she is also the editor of the multi-award-winning Companion to Wine.

Most helpful customer reviews

4 of 4 people found the following review helpful.
A must read for anyone learning about wine!
By A. Alvarado
As the title suggests, this book is certainly a 101 course in how to taste so that you can increase the pleasure of your wine tasting experience. Nearly half of the book is dedicated to how we taste and although this much coverage may initially seem a bit over the top, every page offers new information. If her writing style were described as a wine, I'd say it is a crisp, clean, beautifully aged, full-bodied, well balanced wine, seasoned with a warm toastiness, and hints of dark fruit. She's direct and uses an instructional and educational format, yet injects humor at every turn, while offering the reader practice exercises to fully comprehend the information. Her wealth of knowledge on the subject is evident in her details as she covers every aspect of tasting, examples of how it relates to wine, the flavors in wine, what causes those flavors, how the flavors compare to foods, the grapes that will taste different in each terroir, and how the wine-making process will further influence the flavor of the wine.

She begins with taste, at its most basic level, describing the art and science of it. We do it every day, just as we breathe, without awareness, and yet, once we become fully aware of how our senses react to different flavors and aromas, we begin to have a deeper appreciation of the experience. Right from the beginning, she offers a practical exercise to try to demonstrate this. Have someone blindfold you and offer you different foods with the same texture to see whether or not you can tell them apart (slices of a plum and nectarine, for example). Then try it with similar bodied wines (a merlot and a cabernet sauvignon, for example) to see if you can identify the variety.

Our senses of sight, smell, and taste are so closely interconnected that when we consciously engage all three, the taste experience is heightened. In fact, I now have a deeper appreciation of these senses and for my father's unfortunate condition. He lost his sense of smell in an accident when he was young and whenever he eats, he has to wait until the food reaches the back of his throat before he can tell you if it pleases him. I never understood this until I tried the exercise Jancis suggested. Hold your nose while eating something you're familiar with. So I tried this and was surprised that I couldn't taste the flavor, even as it reached the back of my throat. So, I suppose the flavor experience is different for us all. Still, I couldn't help but feel sad for my father because he's unable to enjoy the full flavor of foods. Anyone who has ever had a cold can probably relate to how tasteless foods are when their nasal passages are blocked.

Jancis elaborates on the importance of sight, smell and taste and how each carries a different message to our brains. The first thing we notice is either how something looks (how appetizing it appears) or how it smells (when walking by a restaurant or my mom's kitchen...yum). This desire builds within us and creates an expectation of how great the food will taste, our mouths begin to water and we can almost taste it at this point. Notice what happens when we actually take a sip or a bite. "Different substances give off different vapors" (14). Think of wine versus bread, or steak on the grill versus a bowl of sugar. The strongest vapors you can taste without actually putting them into your mouth. Alongside this lesson, she illustrates the sweetness in wine, the sugar content, and what that does to our mouth. There's a practice exercise to determine where on your tongue you experience this best, so you'll notice the amount of sweetness the next time you try a wine. Throughout the book, she teaches you something about taste, (such as this lesson on sweetness), then she relates it to wine, and includes some very useful charts divided into red and white categories.

The major tastes (acidity, sweetness, salt, and bitterness) are described in depth and how balance in wine is important and signifies quality. If we stop to notice, different parts of our tongue (front, back, center, and sides) are sensitive to these different tastes. She elaborates on the wines that exhibit these flavors and points out which regions do this superbly. She compares the regional differences in wine-making and terminology. Other flavors such as tannins, astringency, weight, alcohol content, dryness, and cleanliness are covered at length. She includes bad aromas and flavors that you may encounter in wine such as oxidation, sulfur, TCA, reduction, carbon dioxide, and volatile acidity. The quality of a wine can be determined by its cleanliness, balance, and length and all senses should be engaged during this.

Jancis explains what to look for visually (deposits, range of color in reds and whites, lighter at the rim, and legs), aromatically (and that one should avoid strong perfumes, after shaves and food smells to properly taste a wine) and finally when you taste the wine, what temperature it should be served and what foods (mints, gum, vinegar) to avoid to fully enjoy it. Guidelines for storing, chilling, serving, decantering, choosing the right glasses, spitting (or not to), and keeping notes are provided.

There is an entire section on the predominant grapes, their nuances, their distinguishing flavors, their attributes, what regions/climates they grow best in, regional differences/names, if it is used for blending, whether or not it is common practice to age it, and what vessel to age it in. The last section explains how to pair wine with food and as we discussed in class, the old rules are thrown right out the window. One rule to follow is a full-bodied wine would pair well with full flavored foods, and a lighter wine with lighter foods. Some of the old standards apply where the acidity in a white wine would best pair with seafood and a full-bodied red with a steak, but since it's a matter of taste, these are just recommendations.

Jancis' charts, exercises, and tasting glossary at the end provide us with the right amount of information to make the most out of our tasting experience. I recommend this book for anyone who wants to understand wine and get the most pleasure out of drinking wine. I now have a deeper understanding of the subject and as a result, a deeper appreciation of our senses and of wine tasting.

0 of 0 people found the following review helpful.
Great for the wine newbie!
By Every Shining Thing
This is a really great primer on wine, and I would think it would be especially good if you have the time and inclination to try all of the "homework". (I drink very little wine, so I've not really been a great student of the book, but it's interesting to read when I'm trying something new!) The only little disappointment was that the edition of the book I bought was not the same as the edition I had checked out of my library - it's smaller, so the images and text are smaller than the book I first read on loan. However, it is a newer edition, so at least the information is up to date.

146 of 147 people found the following review helpful.
Taster's Choice
By Bevetroppo
See the Amazon review dated September 29, 2001 for an excellent treatment of this book.
Since I first became interested in blind wine tasting almost 25 years ago, I have searched for a book that provided a complete and authoritative guide to describing the taste of different wines and grapes-a reference point or sounding board, if you will, against which to calibrate my own impressions. Never mind that the essence of blind tasting and the apprehension of quality depend on forming your own innate vocabulary of scents and flavors. There have been many times when I have struggled, and have just wanted an expert to tell me what the heck a textbook Crozes-Hermitage, for example, is supposed to taste like.
Jancis Robinson's Guide To Wine Tasting is an excellent contribution to this subject for beginners. I didn't realize until around page 150 that the book had originally been published in 1983 under the somewhat unfortunate title, Masterglass, but I think we can forgive her this youthful indulgence. Because over time, she has truly become the heir apparent to mantle of most prolific British wine commentator, eclipsing my other English heroes Michael Broadbent, Hugh Johnson, and Clive Coates. With multiple books, a TV show, videos, a weekly column, a new DVD and a website ... she is, to paraphrase wine newcomer Howard Stern, the Queen of All Wine Media.
This book systematically lays out the factors that contribute to the taste of a wine, and how to appreciate them. It follows the model of a "wine course," in that each chapter combines theory and practice, the practice consisting of specific instructions of what wines to try that best illustrate the principles being taught. Like all good teachers about wine, she staunchly advocates blind tasting as the key to developing your own wine appreciation faculties. Just keep in mind that to pursue the practice, you'll need a willing accomplice to pour the disguised wines for you so you can really benefit.
Two things make this slender volume particularly noteworthy and a valuable contribution for amateurs of all stripes. First, Jancis is one of the most democratic and unintimidating wine writers on the planet. She goes out of her way to make beginners feel at ease, correctly observing that in many cases the less you know, the more accurate your initial impressions can be. She also makes it clear that even experts routinely embarrass themselves at this game, which is half the fun and often offers a better learning experience than actually guessing correctly. No one interested in learning more about wine appreciation will feel condescended to within the pages of this book.
Second, I give Jancis a lot of credit for being willing to describe specific flavors that derive from major grapes, variations in winemaking practice, and geographical differences, since that is after all why I most wanted to read the book. It is not as detailed or quite as specific as I would like, but it does an admirable job nonetheless and can refresh the core knowledge of a more experienced taster just as well as empower a newcomer.
I don't have much to criticize about the book. There's a very bad typo on page 47 where Brunello di Montalcino is described as coming from the nebbiolo grape (instead of the sangiovese clone, brunello), but this is correctly stated later on. I also think the selection of some of the second-tier grapes she characterizes is a little odd (why even bother with trebbiano if she says it's undistinguished, when she ignores other Italian white grapes that make wonderful wines). Finally, there are a few pages whose layout contains very little information (I counted one with fewer than 50 words) and since this isn't an art book, it gives the appearance of padding.
Nevertheless, this book provides all the basics of what you need to know to not just enjoy tasting wine, but to actually appreciate it.

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Sabtu, 08 Juni 2013

[C320.Ebook] Download PDF Deco for Divers: A Diver's Guide to Decompression Theory and Physiology, by Mark Powell

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Deco for Divers: A Diver's Guide to Decompression Theory and Physiology, by Mark Powell

Fully updated and revised. Award winning Deco for Divers provides a comprehensive overview of the principles underlying decompression theory. Mark Powell has written a book that for the first time allows the average diver to fully understand the principles behind this fascinating aspect of diving. This book bridges the gap between introductory books and source scientific information. What I wanted was an intermediate overview that went into more detail but wasn't written for academics or researchers. When I became a technical diving instructor I started teaching other people about decompression theory. I tried to give an overview of decompression theory at this intermediate level to give my students a better understanding of what was happening during decompression dives. This was always very popular amongst divers who, like me, had always wanted to understand more about the concepts and models underlying decompression theory. I was always being asked if I could recommend a good book which covered this area but as before, there was no such text available. Over time I started giving out notes for the decompression theory portion of my courses and these notes started building. Initially they were just a few pages but the notes became more and more comprehensive and started to cover more and more areas. Eventually they grew into this book. Eurotek 2010 - Winner Publication of Significance Award. TekDive 2014 - Winner Media Award.

  • Sales Rank: #406757 in Books
  • Published on: 2014-12-15
  • Original language: English
  • Dimensions: 9.69" h x .51" w x 6.73" l, 1.11 pounds
  • Binding: Paperback
  • 194 pages

Review
This is a truly remarkable book which covers all the various theories of decompression and ascents for divers in a most readable and understanding manner. There is no other comprehensive book on decompression to my knowledge which is so easy to read and understand by the average recreational or technical diver. Peter B. Bennett, Ph.D., D.Sc. Executive Director, UHMS. Emeritus Professor of Anesthesiology, Duke University Medical Center. Founder & 1st President, DAN This is the most comprehensive and well-written text I've seen that attempts to explain decompression theory to divers. Dr Richard Vann Assistant Research Professor in Anesthesiology, Safety Officer and Director of Applied Research at the Duke Hyperbaric Center, and Vice President for Research at DAN. This book is a "must read" for those who have ever wondered about decompression tables and how they are created. It is a straight forward book and devoid of technical jargon. It starts with the scientific giants who developed the physics of the gas laws and the physiology of diving and ends with M-values and tissue bubbles. For the curious diver - and all divers should be - it will be money well spent! Michael R. Powell, MS, PhD. NASA (retired), Medical Sciences Division, Johnson Space Center, Texas

About the Author
Mark Powell has been diving since 1987 and instructing since 1994. He operates Dive-Tech a company teaching technical diving for several leading agencies at all levels up to and including Advanced Trimix. He is a contributor of Sport Diver Magazine and has a monthly Technical feature discussing different aspects of technical diving.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Excellent writing, with material and information not accessible elsewhere
By dsc106
Surprisingly fantastic book. Very easy read, super important info, and by far the best treatment on the subject anywhere - nothing compares to this online. And from my understanding, this is pretty much the only book of it's kind, and a darn good one. Should be considered required reading if you are at all series about Scuba diving.

2 of 2 people found the following review helpful.
A great book! It all finally makes total sense
By Vladimir Dontsov
A great book! It all finally makes total sense! I am not a dummy and have medical education under the belt but some concepts of decompression still didn't make sense. Now I finally understand how different models work and why. A must for any tec or tec aspiring diver.

0 of 0 people found the following review helpful.
Five Stars
By J. Treg
Mark Powell excels at making this subject clear and understandable by the casual observer.

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