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Never before have so many electronic resources been available to support the teaching of English. From a wide variety of online corpora to specialized archives of speech and writing, teachers and students are faced with the challenge of understanding these resources and selecting those appropriate to their purpose. This accessible introduction demonstrates how freely available corpora can be used for the study of English at different linguistic levels, including vocabulary, grammar, discourse and pronunciation.

With clear descriptions and a practical approach, Exploring English with Online Corpora:
• introduces readers to a range of online corpora that can be used to explore and analyse the English language
• provides a detailed guide to interpreting corpus data
• demonstrates how teachers and lecturers can integrate corpora into language courses
• includes interactive tasks, a helpful glossary and further reading sections

This essential guide to the use of online corpora will be invaluable for students studying the English language and beginning to formulate their own research questions.

• Sales Rank: #2303784 in Books
• Published on: 2009-06-15
• Released on: 2009-05-12
• Original language: English
• Number of items: 1
• Dimensions: 9.28" h x .48" w x 6.21" l, .80 pounds
• Binding: Paperback
• 224 pages

Review
"This introductory textbook does an amazing job of covering a lot of territory in a very accessible manner for a wide range of readers, with well thought-out, engaging activities. Ideal for a variety of applied linguistics courses as well as for those studying corpus linguistics." --Randi Reppen, Northern Arizona University

About the Author
WENDY ANDERSON is a Lecturer in the Department of English Language at Glasgow University. Formerly, she was the researcher for the Scottish Corpus of Texts & Speech and Corpus of Modern Scottish Writing projects. She has published on corpus linguistics of English and French.

JOHN CORBETT is Professor of Applied Language Studies at Glasgow University. He directs the Scottish Corpus of Texts & Speech and the Corpus of Modern Scottish Writing. He is co-author of Beginning Old English, and has written widely on language and education.

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1 of 1 people found the following review helpful.
Excellent resource for teaching introductory courses.
By jcolmen
Anderson and Corbett offer reader friendly explanations and good illustrations that make the book suitable for a master-level or even an introductory PhD course in corpus linguistics analysis. The statistical treatment of the data is explained in easy to understand steps, and the list of resources is thorough. I highly recommend it.

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Is color just a physiological reaction, a sensation resulting from different wave lengths of light on receptors in our eyes? Does color have an effect on our feelings? The phenomenon of color is examined in extraordinary new ways in John Gage's latest book. His pioneering study is informed by the conviction that color is a contingent, historical occurrence whose meaning, like language, lies in the particular contexts in which it is experienced and interpreted.

Gage covers topics as diverse as the optical mixing techniques implicit in mosaic; medieval color-symbolism; the equipment of the manuscript illuminator's workshop, the color languages and color practices of Latin America at the time of the Spanish Conquest; the earliest history of the prism; and the color ideas of Goethe and Runge, Blake and Turner, Seurat and Matisse.

From the perspective of the history of science, Gage considers the bearing of Newton's optical discoveries on painting, the chemist Chevreul's contact with painters and the growing interest of experimental psychologists in the topic of color in the late nineteenth century, particularly in relation to synaesthesia. He includes an invaluable overview of the twentieth-century literature that bears on the historical interpretation of color in art. Gage's explorations further extend the concepts he addressed in his prize-winning book, Color and Culture.

• Sales Rank: #367401 in Books
• Published on: 2000-08-01
• Original language: English
• Number of items: 1
• Dimensions: 10.25" h x .90" w x 7.50" l, 2.71 pounds
• Binding: Paperback
• 320 pages

Review
"Erudite but accessible."--"The Architects' Journal

From the Inside Flap
"John Gage's Color and Meaning is full of ideas. . .He is one of the best writers on art now alive."—A. S. Byatt, Booker Prize winner

From the Back Cover
"John Gage's Color and Meaning is full of ideas. . .He is one of the best writers on art now alive." (A. S. Byatt, Booker Prize winner)

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3 of 7 people found the following review helpful.
Brilliant!
By Artemisia
I love this book. I'm a painter so it's right up my alley. Very well-researched and informative. I'm so glad I found that it existed.

78 of 89 people found the following review helpful.
Another fine book, but with important parts missing.
By A Customer
John Gage, the most thorough and clear-thinking historian of color theory, has produced another superb book, rich in references and sound historical bases from which we may go forward ourselves. There are a number of things any reader will delight in finally grasping. With me, it was that interesting distinction between pluralist and unified color modes (page 224) that I finally understand; and there are many other sound explanations that will delight the serious student of color. It is all the more baffling that Gage never reaches a discussion of such things as Land's color theory in relation to Polaroid, and even more important, the workings of color in the computer and its printer. If there ever was a codification millions of colors in relation to primaries it is in the design of these systems used by all of us. Yet Color and Meaning reads as if the computer has not yet been invented. I yearned to get to those chapters, but they were not there. And I regret it.

37 of 55 people found the following review helpful.
Color and Meaning
By A Customer
Is color just a physiological reaction, a sensation resulting from different wave lengths of light on receptors in our eyes? Does color have an effect on our feelings? The phenomenon of color is examined in extraordinary new ways in John Gage's latest book. His pioneering study is informed by the conviction that color is a contingent, historical occurrence whose meaning, like language, lies in the particular contexts in which it is experienced and interpreted.
Gage covers topics as diverse as the optical mixing techniques implicit in mosaic; medieval color-symbolism; the equipment of the manuscript illuminator's workshop, the color languages and color practices of Latin America at the time of the Spanish Conquest; the earliest history of the prism; and the color ideas of Goethe and Runge, Blake and Turner, Seurat and Matisse.
From the perspective of the history of science, Gage considers the bearing of Newton's optical discoveries on painting, the chemist Chevreul's contact with painters and the growing interest of experimental psychologists in the topic of color in the late nineteenth century, particularly in relation to synaesthesia. He includes an invaluable overview of the twentieth-century literature that bears on the historical interpretation of color in art. Gage's explorations further extend the concepts he addressed in his prize-winning book, Color and Culture

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• Sales Rank: #4161855 in Books
• Published on: 2006-12-28
• Binding: Paperback

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The Belwin Student Instrumental Course is a course for individual instruction and class instruction of like instruments, at three levels, for all band instruments. Each book is complete in itself, but all books are correlated with each other. Although each book can be used separately, all supplementary books should be used as companion books with the method.

• Sales Rank: #1658238 in Books
• Brand: Alfred
• Model: 00-BIC00257A
• Published on: 2000-09-01
• Original language: English
• Number of items: 1
• Dimensions: 11.50" h x 8.75" w x .25" l, .25 pounds
• Binding: Paperback
• 32 pages

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a collection of erotic short stories.

• Sales Rank: #3939965 in Books
• Published on: 2015-01-26
• Original language: English
• Dimensions: 9.00" h x .26" w x 6.00" l,
• Binding: Paperback
• 102 pages

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Wow! I have known the author, Trish Morris ...
By Latoyia Moore
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Must read.....
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The acclaimed author of To the End of the Land now gives us a searing short novel about the life of a standup comic as revealed in the course of one evening's performance--comedy that will lean inexorably toward tragedy.

In a little dive in a small Israeli city, Dov Greenstein, a comedian a bit past his prime, is doing a night of standup. In the audience is a district court justice, Avishai Lazar, whom Dov knew as a boy, along with a few others who remember Dov as the awkward, scrawny kid who walked on his hands to confound the neighborhood bullies. Gradually, teetering between hilarity and hysteria, Dov's patter becomes a kind of memoir, taking us back into the terrors of his childhood--his beautiful flower of a mother, a Holocaust survivor in need of constant monitoring; his punishing father, a striver who had little understanding of his creative son. Finally, recalling his week at a military camp for youth--where Lazar witnessed what became the central event of Dov's childhood--Dov describes the indescribable while Lazar wrestles with his own part in the comedian's story of loss and survival. A beautiful performance by Grossman (jokes in questionable taste included).

• Sales Rank: #186882 in Books
• Published on: 2017-02-21
• Released on: 2017-02-21
• Format: Deckle Edge
• Original language: English
• Dimensions: 8.25" h x .63" w x 5.63" l, .87 pounds
• Binding: Hardcover
• 208 pages

Review
Priase for A Horse Walks into a Bar

"Grossman brings real humanity to this heart-wrenching and well-written novel, offering insight into one man’s psychological makeup and how society has damaged him. An excellent translation; highly recommended." —Lisa Rohrbaugh, Library Journal

Praise from the UK

“A polemic of unusual power . . . Shocking, raw, and eloquent. . . Grossman has pushed down deep into the wounded heart of a despairing man . . . A Horse Walks into a Bar is unlike anything Grossman has yet done. —Eileen Battersby, The Irish Times

“Grossman’s latest offering is a short, shocking masterpiece . . . in which absurdity and humour are used to probe the darkest corners of the human condition . . . It is a tale of nerve-shredding psychological and spiritual torture, the kind of story that is so dark that the only defence against it is darker laughter.” —Adam Lively, The Sunday Times (London)
  
“It takes an author of Mr. Grossman’s stature to channel not a failed stand-up but a shockingly effective one . . . This book feels far removed from Falling out of Time . . . Both books, however, circle around dramatic acts of mourning: the first as lyric tragedy, the second as pitch-black comedy.” —Jonathan Cape, The Economist

Praise from Europe

"Literature at its highest, and most enchanting." —Il Mattino (Italy)

"Grossman has written a beautiful and hypnotizing book, on the friction between tragedy—both personal and collective—and life, which must go on." —Il Messaggero (Italy)

"A psychological, intimate chamber drama whose choreography and eloquence captivate and pain the reader in equal measure . . . By the end, the book not only radiates humanity but demands it as well." —Leipziger Volkszeitung (Germany)

"A magnificent book about the different levels of being that we carry within ourselves." —Le Monde (France)

"Resonant of Dostoyevsky and Kafka . . . The novel is not about one man alone; its significance lies in the exposure of the failings of humanity. We knew that stand-up comedy is inflammatory, but we didn't know that it can reveal the flames of hell." —Transfuge (France)

About the Author
DAVID GROSSMAN was born in Jerusalem. He is the author of numerous works of fiction, nonfiction, and children's literature. His work has appeared in The New Yorker and has been translated into more than forty languages. He is the recipient of many prizes, including the French Chevalier de l'Ordre des Arts et des Lettres, the Buxtehuder Bulle in Germany, Rome's Premio per la Pace e l'Azione Umanitaria, the Premio Ischia--international award for journalism, Israel's Emet Prize, and the Albatross Prize given by the Günter Grass Foundation.

JESSICA COHEN was born in England, raised in Israel, and now lives in the United States. She has translated contemporary Israeli fiction, nonfiction and other creative works, including David Grossman's To the End of the Land.

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• Published on: 1919-01-01
• Dimensions: 7.09" h x .78" w x 5.12" l,
• Binding: Paperback
• 312 pages

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• Sales Rank: #2634600 in Books
• Published on: 2011-10-31
• Released on: 2011-10-31
• Original language: English
• Number of items: 1
• Dimensions: 5.50" h x .90" w x 8.50" l, .97 pounds
• Binding: Paperback
• 360 pages

Review
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About the Author
Andrew Faulkner is Assistant Professor of Classics, Unviersity of Texas, Austin.

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